This is a show set firmly in the 2kteens.
In a way, it must be horrible for actors to have to be on-target facially to such a high definition. Lee Min Ho does not have to cry over this, though.
I mentioned toward the beginning of the series that costumers know they have a good thing when he’s under their hands. I notice, in my screen caps, that there’s a lot of black, of course … and also hues of baby blue. It’s kind of in metro fashion these years, but it’s also definitely a good color on him.
Since there is almost no softness to his figure and features, the gentle colors don’t take away any masculinity.
EVEN if you put him in lace-texture blouses, too.
(I noted how they didn’t cop out on his sick-pallor makeup for several episodes after he got shot, and then again after being gassed. In looking back over the recaps I’m reminded how awesome that little detail is.)
Something else I’m seeing even more clearly from my screencaps is the introduction of warm, pinkish tones when NaNa is on the scene. I noted at the time the strong, but romantic light in this scene:
It’s true to the very high-intensity light of the rest of the show, but softened by the contrast of red phone and bright blouse, and a small diffuse effect.
But it’s not just in warm moments that this is true, actually.
Even if it’s Lee Yoon-Sung wearing maroon in the shot, can you deny it?
It’s a color that looks well against the sky and steel blues of most of the rest of the show, yet has a very distinctly different vibe.
You may also note (in upcoming photos, and previous ones) nature colors of wood and greens are the others to temper the black and glass-clear tech of this show’s 2011. Sky blue is noticeable in lightening the mood, because it has more green and yellow notes in it than the powdery or clear colors elsewhere.
So hot it BURNS.
…of course I’m talking about that jacket, what else?