Archive for category Incidental Narrative
There’s something to love about the dynamic these two have after 13 episodes, in Fugitive: Plan B.
They’re not comfortable enough with each other to be friends, and they’re not in a position to be lovers, but they connect about the important things. They’re brothers in arms. Comrades.
In a weird way, they’re on the same wavelength. She’s never lacked for money, and he’s never lacked attention. She’s been on the run from criminals and he’s on the run from the law…while catching criminals. She can fight her way out, while he never seems to get out without a fight.
Very complimentary styles, though they of course madden each other in completely different ways.
Rain’s character “Ji-Woo” is comfortingly predictable. He’ll look like a slacker until suddenly he gets struck by inspiration, and then spout off a cryptic metaphor before attacking the problem with everything he’s got. And go until it’s done. For Ji-Ni, I think his opportunism about money and girls is the kind of flaw that’s bearable. It’s pretty transparent.
On the other hand, Kai harbored an ability to betray her, buried very deep and apparently awoken only to protect her.
She’d rather have control than passion, though. For very good reason.
And why she freaks out when he seems to be changing his ground, or withholding information he thinks she won’t like.
He’s not the kind to actually hide things once they’re done, but he can’t articulate that difference.
I had noticed that it had been a relievingly long time since we saw insomniac-Ji-Ni, right before they’re fight over (literally) the gold, and it was so sad to see her go back to that, the moment he wasn’t present in her heart as a protection.
And yet…his dollar-store magic wand goes under her pillow while she tucks in with her bludgeon. There we see she hasn’t really put him on the list of Untrustworthys. She just has to live raw to stay alive.
While he has (predictably) bugged her, he also is unpredictably relenting about the insult, while firm about getting past their misunderstanding. Ah, this is where his value shines through. His lack of pride about some of the skeevier aspects of his interests also makes him able to do this.
JiNi has little left of dignity or stability, and inner pride is all she has, so he has to be contrastingly yielding. It’s great to have a guy in that role, while being the type of real guy that could be…
Thinking about it like this, it’s interesting to see how well their relationship DOES work. It backs up the way that I ship them, on a basic level–no, I don’t think we’ll see it happen during the show.
But as time goes by, and he remains cheerfully protective, she’s going to want more from him. And there will be other girls to make her aware of it, because Ji-Woo is shameless.
As for him, she pulls the serious self out of Ji-Woo. He has a bit of a learning curve when she rebuffs him, but later on there is enough of a connection whenever he reads an opening. She’s just too quick and stoic. I don’t think he’s in passionate love with her, but I think he’s the kind to build up that kind of feeling once he’s committed. But she’s a woman who can really know him, looking past the flirt and also past the professional.
Their insecurities are obvious to each other, and so are their strengths.
This show does so well not going in the expected direction, or getting there by unexpected ways…someone needs to hug a writer for me.
I’m apprehensive this wardrobe lightening ‘ship is going to disappear soon, but I enjoyed the dynamic of two people who are out of each others’ realms, and so free to be casual with each other. It’s like the early days of Personal Taste with the gay roommate gig, only without the teasing sexual tension.
Another fun thing is the startling openness Ji-Heon has once he’s chosen to accept his crush on No Eun-Seul.
He also is open with her about almost everything–and using his pulse as an excuse for skin-ship but admitting she raises his pulse is some of the cutest flirting ever. It would be awkward if he *thought* he was being suave, but he doesn’t. The (actually mature) candor that seems child-like is more winsome than the hints and implications of a Cha Mu-Won type.
I also love that they’re letting No Eun-Seul stick to her guns without it being a big self-sacrifice thing. She is capable of not falling for him just from proximity and attention, and that’s awesome. It’s more realistic, at least to me…
She wants to help him out, but this is a job, and she’s mature enough to know that it’ll just bring trouble.
And none of the relationships are the paper-doll playtimes that many shows deal in. Mu-Won and Yoon-Ah are a bad couple of a classic type, but you can see why he likes her. When she’s at a loss we get to see the kind of aegyo cuteness that when she was less goal-oriented must have been more charming.
She’s got a bad case of evil mother…one who’s a fox in her own quirky way, rather than the usual Chaebol Ice-Princess Special. And the girlish transparency with Mu-Won seems to be good for their long-term, so I’m not too torn. I just wish I knew why she thought he couldn’t love her and be devoted to her…just because he’s got his own ambitions? Telling by her relationship with her mom, she needs someone like that to hang with.
And we got a much more tongue-in-cheek meeting between Sis-in-Law and Prez Daddy–where you could actually hear the enemy-agents music playing for their weird little subtext.
Whoa, another whole post not focusing on clothes? SCANDAL
It’s not often that I finish an episode with such an uplifted, excited feeling!
It’s the way I felt about several of the episodes of Myung Wol the Spy*, especially when they ended on just the perfect cliffhanger. City Hunter, too, though more of the scenes within the episode than the endings had that feeling.
Episode 6 of Protect the Boss was the first to do that to me here. It’s a chemistry between fun tone, loveable characters, and an intriguing cliff-hanger, I think…
I don’t know where this one is going at all. In a way, I feel that he’s decided to not let himself be the pushover that Yoon Ah (…is that really her name? Am I imposing my understanding of second-lead girls here?) always goes creeping to when she’s feeling a little low.
I’m also only *almost* sure he doesn’t have more than a little affection for No Eun-Seul.
Is it a fake-out, to test her? Is he going to lead into getting her to a different job? Is he going to actually mean it and try to take her as revenge/comfort? Protecting her from Ji-Heon? As long as this isn’t as pathetic as the Down With Love second-lead man…
* which I’m still a little burnt about (the messy press just makes me leery–the story itself I’m still sold on) but plan to continue watching when that’s settled a bit more in my mind…
I really like 2NE1’s music, more consistently than most K-Pop groups…which makes sense, since they’re largely produced and written for by one talent.
(The more I know about YG Entertainment, the more fond of it I am, despite being quite anxious about how K-Pop agencies are run in general)
This is true of EVEN their commercials music, starting with their debut “Lollipop” with Big Bang, “Don’t Stop the Music” for Fiore, and our topic of the day, “Kiss” for Cass beer.
Not in love with his look as a rich playboy, but I don’t think I’m supposed to be. (Frankly, he looks a little Hwang Tae-Kyung, but in a sort of less edgy way? Anyhow. This is the Goo Jun-Pyo everyone can instantly place…we’ll hold out for a hint of humanity.)
And it is all the more awesome to discover his alter-ego because of how delightfully fashion-show stuckup he looks.
Clothes are more a focal point of character than the beer is–he’s still wearing a fashion-victim shirt and his jeans are probably 100x more expensive, but here they’re on the same general vibe, whereas their first encounter Dara was even more tomboy casual, as a DJ for one of his friends’ parties.
He shows up in his GreaserBouffant hair and red Lamborghini (maybe not, I wouldn’t know, but it’s that image anyway) to take her out and buy her clothes of his class and we’re sitting here wondering why she’s still sneering a little at him when she’s going the way even Jan Di would not tread…
when she throws away the clothes, and goes to his club as herself, not his arm candy.
The red is an obvious color of confidence, sexiness, and daring–the first time she’s been into primary color territory, really, with pastels and whites in the clothes she’s worn so far.
And she comes to take what is hers: she takes charge of their relationship, and makes it clear that the terms he’s set aren’t acceptable.
So he has to go meet her on her own ground:
Adorably, he’s in “commoner” clothes, the uniform at her job, which is the same monochromatic look of their concert encounter.
It’s a beer commercial, but the music was good, and it actually told a story in clothes…