Posts Tagged suits
My current music video crush is a kind of odd one, but that doesn’t mean we can’t enjoy it.
To be honest, from the opening strains of this song (the sounds of Lee Joon of MBLAQ literally straining as he’s bound to the pretty iron work headboard of the woman’s bed) I was a bit apprehensive…that I would like it.
And the fact is the fantasy-sequences of the storyline with Lee Joon are gorgeously set. I get quite impatient with the space-age dance shots, frankly, though she’s cute and the dances are fun.
The sepia tones play up the black-and-white romantic film themes, while the vintage ambiance adds to the surreality of the storyline. Of course, the formalwear wins tons of points from me as well…
However inappropriately deployed.
Ahhh, miniRain. Fulfilling all the noonas’ needs for picturing a different sort of exploitation film.
An interesting detail is that though while he’s only tied with handkerchiefs (and later, rope), she has actual chains accenting the body of her dress. Symbolism of her own deeper issue? Or just thematic accessorizing?
Anyhow. The dressy glamour of it is quite acceptable, especially since it’s a real wacko-dreams concept.
Her “Paparazzi” video is more fun, though less classy, with SS501’s Kim Hyung Jun comically evading a girl in a series of vintage/retro girl-next-door costumes. A theeeeme? She’s pandering to us, I think.
The meta of this character’s treatment in the drama can be quite amusing.
Jae Joong, recently voted as Asia’s most attractive star in China, is the kind of idol whose standing as a teen heart-throb is better capitalized than forgotten. This has come to the fore from the second week of airing where secondary characters can take a bit more time to introduce themselves…
I love that this show is delivering fanservice…and then pointing it out. This character is written as the kind of polite, attractive guy who the heroine sees as untouchable, like Won Bin or Hyun Bin. I like that dynamic: she’s not going to turn him down when he takes her out to eat, but she knows it doesn’t mean anything. He’s the kind of guy who would just do that…
I love that when she takes him out to “rebel”, though he gives the same sort of excuses Ji-Heon does about not going into clubs or whatever…it totally sounds like an idol having to not be caught doing something against their image. Ji-Heon’s just fastidious…or agoraphobic.
Note how many of his suits are straight black or navy.
Just as Cha Ji-Heon is suited up in brighter colors, even primary tones, it’s no accident that this sort of ambivalent character in opposition to him is in monochromatics, even to black-on-black sets like this little number. It appears more than once!
It’s after their adventure at the amusement park (where Ji-Heon starts to feel that he likes Eun-Seul) that he begins to wear some grays and lighter colors. It may be her influence, it may be the return of the girl he really likes, and it may be just that the costumer got bored, but I think it’s interesting. The high-contrast clothes don’t look bad on him, either.
And then there are a few moments where it feels a little too tongue-in-cheek, but because he’s adorable, it’s okay…
but that’s not his reaction. He’s the ideal son. I’m betting we aren’t going to see his tattoos in this show…
Full Disclosure: I have a bit of a crush on probably two of the YG Entertainment music video directors. Whoever put together the aesthetic on “Goodbye”, is one of those.
Anyway. Not to hyperfocus on Big Bang…okay, well, running with the fact that I’m kind of obsessing about Big Bang (and 2NE1) [LOOK, Protect the Boss? Still not all subtitled!] here’s just a little screen-cap festival of the boys in suits…
Wait, that doesn’t feature a suit, just an incredibly cute profile for a guy with such dark charisma. …excuse me. Fangirl moment.
This show blends an actual intriguing story (where you don’t know what’s going on for sure, but it doesn’t seem like the result of someone’s actual LSD-fueled trip, either) and getting all the guys in very different settings, personas that you can actually connect to the narrative.
VESTS, gah. This is a fetish within a festish, here–the bulk of my suit screencaps involve awesome vest/jacket combos. The rest involve collars.
It’s a point of tailoring that works to bring out the man’s shoulder-line, and accentuate their lines when standing alone [OR to help older guys mask lazy-stomach under a coat, too].
Vests also serve up a contrast opportunity, a big trio with jacket and shirt, where the tie is an accent rather than the focal point.[DOUBLE BUTTONS, why are you so snazzy?]
They chose well, giving dark Daesun the boldest color here. He makes it seem less of a bold fashion statement, when the point of this videos clothing is to give it more of a classic feel.
Whereas they give Taeyang, with the most clear-cut hiphop style, a subdued but modern-cut jacket. I can see Ne-Yo in this coat, no question.
Another point to ponder: all are in leather gloves. Almost as if they were pallbearers, in terms of story, but another period detail that makes it seem classic rather than just costume.
TOP in the car was the best part to watch, but the worst to try to screencap. Seungri actually steals the show for best scene-stills…
You can tell you’re caught up in a show, when at the big Birth Secret reveal…
you think, “Yeah, he looks WAY more like him!”
Haha. Okay, so my actual thought was, “Right, that mom and that dad make more sense when it comes to creating a Lee Min Ho, though he’s a little tall for both of them.”
Still, they did a good job casting, right?
Something interesting I hadn’t thought of before: the fact that this father also makes more sense in the City Hunter that grew up than Jin-Pyo’s brother’s actual son probably would have. I did kind of wonder, what if this kid had been completely unadept at all this stuff? What if he’d grown up like the actual second-best dresser at the Blue House?
But Jin-Pyo and the president are actual more similar to each other than any of the other men (except Yoon-Sung and Young-Joo, but in that generation). A man who can make hard decisions. A man whose emotions are actually quite vulnerable, but also support his moral code.
They haven’t gotten soft just because they’re in charge, behind the frontlines, either.
I mean, look at how hot this guy’s hands are…
Jin-Pyo and Yoon-Sung are both *way* too vain to ever wear a hat like that with complete unconcern for anything but comfort, but it’s actually quite cute. (Yoon-Sung *is* Jin-Pyo’s son by nurture…)
Anyway, it’s cool to think that Yoon-Sung could grow up like this–someone with regrets, sure, but able to live as a human despite it, not a one-dimensional passion for money, power, or…revenge.
I admired the Arch-City Hunter for his good looks and steely manner from the moment we go to see him in his guerrilla-chick gun vest and cargo pants in the second half of the first episode. When he made the switch to Steve Lee style, in his palatial new house. as he got ready to send his son off to Yale, it seemed so drastic a switch I was wondering what was going on.
Yet, he never lost that kind of debonair edge of the man ready to jump for a gun. It was kind of intriguing…
It wasn’t until the first real scene of danger to him that I realized there was something about him (a little obvious in the screencap above because I was wanting to capture it, once I noticed) that kept that past visually present.
Right there, with his (no doubt very nice) watch, are those surfer-style bracelets. What are their functions? Who knows. He hands the bullet over to Yoon-Sung, maybe they’re some sort of memento. He’s definitely the nostalgic type. (In an ironically twisted way? Heh.)
Or maybe, there for in case he has no gun anymore and needs to hang someone. With Jin Pyo, who knows? He sleeps sitting up, hand on a firearm.
There’s something inscrutably hot about this guy. And I’m going to make this clear: every time he does something cruel I was disappointed in him. It’s mostly the actor, you know? I think it’s *awesome* they got a hot actor, who can pull off layering leather bracelets, to play the Bad Dad.
The Prez also had hot arms, but we’ll have to get to that some other day…
Zany, is the word for the set-up on this show.
(Isn’t it curious how many excellent words for varying shades of crazy we have in our language?)
JavaBeans and girlfriday of DramaBeans.com were discussing how it’s an unusual note for a K-Drama to strike, this intentional-camp-and-pastiche with over-the-top plot points being integrated into a coherent plot. The craziness they love of the Hong Sisters’ dramas is similar (You’re Beautiful, with it’s meta-awareness at points, was pretty fun) but not quite the same.
Does it make sense that the North Korean spy-girl, who is so conservative and military-issue she’s never had a crush before, wears the cutest shorts with her button-up shirts over tees, and schnazzy (but not stiletto-heeled) boots?
Not really. And yet…yes.
She’s so clueless, she’s cute in a way that can be conceived as accidental.
I’m pretty sure this is why “top star Kang-Woo” can’t get her off his mind.
He’s the one *I* can’t get off my mind. With half his clothes, I want to avert my eyes (it’s like seeing someone trying to mimic G-Dragon’s fashion sense without access to the actual designers)
one begins to wonder why he doesn’t spend MORE than a quarter of the show in that classic jeans-and-wifebeater combo he works like a boss.
And then you remember it wouldn’t be so hot EVERY TIME, if absence didn’t make the heart grow fonder.
But really now.
This guy’s charm is not like Lee Min Ho, and suits may look cute on him, but they’re never going to fit his actual personality.
This is a show set firmly in the 2kteens.
In a way, it must be horrible for actors to have to be on-target facially to such a high definition. Lee Min Ho does not have to cry over this, though.
I mentioned toward the beginning of the series that costumers know they have a good thing when he’s under their hands. I notice, in my screen caps, that there’s a lot of black, of course … and also hues of baby blue. It’s kind of in metro fashion these years, but it’s also definitely a good color on him.
Since there is almost no softness to his figure and features, the gentle colors don’t take away any masculinity.
EVEN if you put him in lace-texture blouses, too.
(I noted how they didn’t cop out on his sick-pallor makeup for several episodes after he got shot, and then again after being gassed. In looking back over the recaps I’m reminded how awesome that little detail is.)
Something else I’m seeing even more clearly from my screencaps is the introduction of warm, pinkish tones when NaNa is on the scene. I noted at the time the strong, but romantic light in this scene:
It’s true to the very high-intensity light of the rest of the show, but softened by the contrast of red phone and bright blouse, and a small diffuse effect.
But it’s not just in warm moments that this is true, actually.
Even if it’s Lee Yoon-Sung wearing maroon in the shot, can you deny it?
It’s a color that looks well against the sky and steel blues of most of the rest of the show, yet has a very distinctly different vibe.
You may also note (in upcoming photos, and previous ones) nature colors of wood and greens are the others to temper the black and glass-clear tech of this show’s 2011. Sky blue is noticeable in lightening the mood, because it has more green and yellow notes in it than the powdery or clear colors elsewhere.
So hot it BURNS.
…of course I’m talking about that jacket, what else?
That’s how many screencaps I have of this show. Usually it’s more toward 30 total, but you know…
this was just a gorgeous show. The shots, the sets, the people. Any time the beats of the scene were going to be a little slow, they plopped it in a place with visual energy.
It’s really not surprising me at all that I took that many without really trying too hard. This is probably only a handful of episodes worth. The story is so absorbing I plumb forgot most times.
Just as Myung Wol the Spy (my new favorite flavor of crack) is working the rebellious energy of the Eric/Han Ye-Seul pairing, Nana and Yoo Sung are both eager-to-please, dedicated people with a taste for danger. It’s not just chemistry of their clear-lined looks. Their characters, and the actors behind it, have rapport.
I’m going to be so sad when this show is over. Since it’s never for a minute bored me, though, I’ll probably be rewatching it someday.
Anyway, fair warning: thematic posts on City Hunter to turn my mourning energies to productivity likely to fill the next week or so.
Do they know how to dress this boy or WHAT?
I mean, he’s wearing the Color of Hate and Filth, and I screencapped this before I even realized it.
I mean, I feel a little bad for the boy, the moment his wasp-waist goes he’ll no longer be the beloved pet of the wardrobe designers…
But I say, live in the now. As the Patron Saint of SuitFetishers everywhere.
Oh yes. And of hairless Asian chests in scoop-neck tees. That, too.
We’ll save characterizing detail posts for other days. I’ve got more City Hunter to watch…
and screencap, for your pleasure. As always.