Posts Tagged wardrobe
This show does so well not going in the expected direction, or getting there by unexpected ways…someone needs to hug a writer for me.
I’m apprehensive this wardrobe lightening ‘ship is going to disappear soon, but I enjoyed the dynamic of two people who are out of each others’ realms, and so free to be casual with each other. It’s like the early days of Personal Taste with the gay roommate gig, only without the teasing sexual tension.
Another fun thing is the startling openness Ji-Heon has once he’s chosen to accept his crush on No Eun-Seul.
He also is open with her about almost everything–and using his pulse as an excuse for skin-ship but admitting she raises his pulse is some of the cutest flirting ever. It would be awkward if he *thought* he was being suave, but he doesn’t. The (actually mature) candor that seems child-like is more winsome than the hints and implications of a Cha Mu-Won type.
I also love that they’re letting No Eun-Seul stick to her guns without it being a big self-sacrifice thing. She is capable of not falling for him just from proximity and attention, and that’s awesome. It’s more realistic, at least to me…
She wants to help him out, but this is a job, and she’s mature enough to know that it’ll just bring trouble.
And none of the relationships are the paper-doll playtimes that many shows deal in. Mu-Won and Yoon-Ah are a bad couple of a classic type, but you can see why he likes her. When she’s at a loss we get to see the kind of aegyo cuteness that when she was less goal-oriented must have been more charming.
She’s got a bad case of evil mother…one who’s a fox in her own quirky way, rather than the usual Chaebol Ice-Princess Special. And the girlish transparency with Mu-Won seems to be good for their long-term, so I’m not too torn. I just wish I knew why she thought he couldn’t love her and be devoted to her…just because he’s got his own ambitions? Telling by her relationship with her mom, she needs someone like that to hang with.
And we got a much more tongue-in-cheek meeting between Sis-in-Law and Prez Daddy–where you could actually hear the enemy-agents music playing for their weird little subtext.
Whoa, another whole post not focusing on clothes? SCANDAL
I am now a week behind here, but I just watched episodes 3-5 of Protect the Boss.
The theme that is emerging is one that I didn’t expect–and that is, how *all* the characters have faces of childishness. I mean, what is up with these bicker twins?
The hate is so strong, you can almost feel the love coming on…
Even Madame Grandmother, hiding her face from Eun-Suel to spare herself embarrassment and continue to be just a humble granny to her, the way she’s still emotionally where her son is, and they reflect each other in their troubles.
As is right, Cha Ji-Heon continues to have the mannerisms of a boy, not even a young man.
This impression is reinforced in all his brightly colored outfits (if he wears a proper suit, it’s in blues instead of black or gray or white) that sometimes veer more toward *cliches* of school-children clothes than what kids actually even wear. It’s hilarious…
And yet, the acting itself is touching. Even when he gets turned down by No Eun Seul, his stages of realization are that of a small boy’s, not a man’s. Not understanding…
pretending it’s not a big deal…
and deciding to just keep on with it and wait till her mind changes!
I love this. The fact that the actor’s excellence is making me notice the details is only because I’m paying attention; it feels really natural. And it actually heightens the moments he’s showing darker emotions, the way it’s not the predictable manly-emoting of many heroes.
It’s also awesome how firm she is about propriety…and I really think she doesn’t feel strongly for him either way at this point.
He likes her, and is equally forthcoming and firm about that, which is also refreshing! This is an organic conflict that feels much more lifelike than the usual tears because someone’s family is too good, or their pasts are conflicting.
In the past week or so, with a lot of things I was trying to keep OFF my mind, I watched more Korean variety TV than I have consecutively…well, ever. And let’s hope never again.
My dreams get full of hubris and beautiful Asian eyes.
These are just two outfits from Rain’s promotions of…well, actually Ninja Assassin, I think? But maybe one is from one of the albums. These are at least in the same family of shows, if not the same one, so there may be some time separating them.
Like on the last post, they’re screencaps I took my own self from YouTube, and not on HD. But you’ll get the point anyway.
I kind of love the comment the host was making in this shot, which was “He’s not saying deep words, but when they come out of his mouth, they *sound* deep.”
Heh. Maybe his psuedopreppy look is helping? Though Rain’s best attribute, as far as his acting’s concerned, is his ability to go from fun-loving goof to very earnest in a split second.
It’s interesting that not just here, but in the next set of photos, he’s going for a classic combo of vest over collared shirt, with slacks. In this case, he’s got glasses to take that image one step further, into hot Megane-kun territory, in the other case he adds more of a rocker vibe by wearing a tie layered with a large flashy necklace.
It actually looks like a riff off of school uniforms, though maybe I’m being influenced by the fact that the green and plaid look like one of the high school uniforms in my Japanese hometown… like, the thing a punk might do, or a manga artist might do on a front-piece of a chapter.
‘course if the sleeves weren’t rolled up it wouldn’t be the same.
OOH LOOK, I DO THAT TOO
okay, so I’m grasping at straws here. Any connection to Bi…
Weirdly in this photo I’m almost missing the glasses. I wonder if he really needs glasses at all? Because that would be kind of hot in that manga-secrets way.
TOP does, surely you can get with the program, Rain-sunbae?
I really have tried to hold out against Rain, because he’s so superpopular he really doesn’t need my love. But at the same time…he’s a ferociously hard-working and talented guy. How’s a girl supposed to deal? Talent is like, my Achilles heel.
I really like 2NE1’s music, more consistently than most K-Pop groups…which makes sense, since they’re largely produced and written for by one talent.
(The more I know about YG Entertainment, the more fond of it I am, despite being quite anxious about how K-Pop agencies are run in general)
This is true of EVEN their commercials music, starting with their debut “Lollipop” with Big Bang, “Don’t Stop the Music” for Fiore, and our topic of the day, “Kiss” for Cass beer.
Not in love with his look as a rich playboy, but I don’t think I’m supposed to be. (Frankly, he looks a little Hwang Tae-Kyung, but in a sort of less edgy way? Anyhow. This is the Goo Jun-Pyo everyone can instantly place…we’ll hold out for a hint of humanity.)
And it is all the more awesome to discover his alter-ego because of how delightfully fashion-show stuckup he looks.
Clothes are more a focal point of character than the beer is–he’s still wearing a fashion-victim shirt and his jeans are probably 100x more expensive, but here they’re on the same general vibe, whereas their first encounter Dara was even more tomboy casual, as a DJ for one of his friends’ parties.
He shows up in his GreaserBouffant hair and red Lamborghini (maybe not, I wouldn’t know, but it’s that image anyway) to take her out and buy her clothes of his class and we’re sitting here wondering why she’s still sneering a little at him when she’s going the way even Jan Di would not tread…
when she throws away the clothes, and goes to his club as herself, not his arm candy.
The red is an obvious color of confidence, sexiness, and daring–the first time she’s been into primary color territory, really, with pastels and whites in the clothes she’s worn so far.
And she comes to take what is hers: she takes charge of their relationship, and makes it clear that the terms he’s set aren’t acceptable.
So he has to go meet her on her own ground:
Adorably, he’s in “commoner” clothes, the uniform at her job, which is the same monochromatic look of their concert encounter.
It’s a beer commercial, but the music was good, and it actually told a story in clothes…
Full Disclosure: I have a bit of a crush on probably two of the YG Entertainment music video directors. Whoever put together the aesthetic on “Goodbye”, is one of those.
Anyway. Not to hyperfocus on Big Bang…okay, well, running with the fact that I’m kind of obsessing about Big Bang (and 2NE1) [LOOK, Protect the Boss? Still not all subtitled!] here’s just a little screen-cap festival of the boys in suits…
Wait, that doesn’t feature a suit, just an incredibly cute profile for a guy with such dark charisma. …excuse me. Fangirl moment.
This show blends an actual intriguing story (where you don’t know what’s going on for sure, but it doesn’t seem like the result of someone’s actual LSD-fueled trip, either) and getting all the guys in very different settings, personas that you can actually connect to the narrative.
VESTS, gah. This is a fetish within a festish, here–the bulk of my suit screencaps involve awesome vest/jacket combos. The rest involve collars.
It’s a point of tailoring that works to bring out the man’s shoulder-line, and accentuate their lines when standing alone [OR to help older guys mask lazy-stomach under a coat, too].
Vests also serve up a contrast opportunity, a big trio with jacket and shirt, where the tie is an accent rather than the focal point.[DOUBLE BUTTONS, why are you so snazzy?]
They chose well, giving dark Daesun the boldest color here. He makes it seem less of a bold fashion statement, when the point of this videos clothing is to give it more of a classic feel.
Whereas they give Taeyang, with the most clear-cut hiphop style, a subdued but modern-cut jacket. I can see Ne-Yo in this coat, no question.
Another point to ponder: all are in leather gloves. Almost as if they were pallbearers, in terms of story, but another period detail that makes it seem classic rather than just costume.
TOP in the car was the best part to watch, but the worst to try to screencap. Seungri actually steals the show for best scene-stills…
I was rewatching a bit of Playful Kiss, partly to review Hyun-Joong’s acting, and was reminded of how enchanting the first episode was.
The BFFs and their weird little phrases…the school that feels like an actual school, just a particularly clean and nicely landscaped one…the uniforms…
If you’ve ever picked one of the many manga featuring an elite school, or a school with some form of elite class, you’ll probably see some wish-fulfillment uniforms. Not even joking, that’s really one of the criteria Japanese girls thought about in choosing a high school…and I kind of understand now.
The Japanese middle school I attend for some time had very mundane, but at least not ugly, uniforms. Navy blazer with no sartorial embellishment, red clip-on ties, a houdstooth check skirt with a pattern so small it had no personality.
If you haven’t worn such a set of clothing for months on end, can you understand how beautiful these ones are?
Cute little cap sleeves, piping on the sleeves to contrast, a tailored vest, and the cutest elements of the sailor skirt, without being too flat.
Ribbon ties for the girls, btw, are definitely one of the cuteness factor Pros.
‘course, this won’t keep anyone from trashing them to look a little more independent…
…how hilarious is it that the placement chart is *everywhere* at this school? It’s so true-to-life. It is VERY hilarious.
Asian schooling, FTW!
Zany, is the word for the set-up on this show.
(Isn’t it curious how many excellent words for varying shades of crazy we have in our language?)
JavaBeans and girlfriday of DramaBeans.com were discussing how it’s an unusual note for a K-Drama to strike, this intentional-camp-and-pastiche with over-the-top plot points being integrated into a coherent plot. The craziness they love of the Hong Sisters’ dramas is similar (You’re Beautiful, with it’s meta-awareness at points, was pretty fun) but not quite the same.
Does it make sense that the North Korean spy-girl, who is so conservative and military-issue she’s never had a crush before, wears the cutest shorts with her button-up shirts over tees, and schnazzy (but not stiletto-heeled) boots?
Not really. And yet…yes.
She’s so clueless, she’s cute in a way that can be conceived as accidental.
I’m pretty sure this is why “top star Kang-Woo” can’t get her off his mind.
He’s the one *I* can’t get off my mind. With half his clothes, I want to avert my eyes (it’s like seeing someone trying to mimic G-Dragon’s fashion sense without access to the actual designers)
one begins to wonder why he doesn’t spend MORE than a quarter of the show in that classic jeans-and-wifebeater combo he works like a boss.
And then you remember it wouldn’t be so hot EVERY TIME, if absence didn’t make the heart grow fonder.
But really now.
This guy’s charm is not like Lee Min Ho, and suits may look cute on him, but they’re never going to fit his actual personality.
This is a show set firmly in the 2kteens.
In a way, it must be horrible for actors to have to be on-target facially to such a high definition. Lee Min Ho does not have to cry over this, though.
I mentioned toward the beginning of the series that costumers know they have a good thing when he’s under their hands. I notice, in my screen caps, that there’s a lot of black, of course … and also hues of baby blue. It’s kind of in metro fashion these years, but it’s also definitely a good color on him.
Since there is almost no softness to his figure and features, the gentle colors don’t take away any masculinity.
EVEN if you put him in lace-texture blouses, too.
(I noted how they didn’t cop out on his sick-pallor makeup for several episodes after he got shot, and then again after being gassed. In looking back over the recaps I’m reminded how awesome that little detail is.)
Something else I’m seeing even more clearly from my screencaps is the introduction of warm, pinkish tones when NaNa is on the scene. I noted at the time the strong, but romantic light in this scene:
It’s true to the very high-intensity light of the rest of the show, but softened by the contrast of red phone and bright blouse, and a small diffuse effect.
But it’s not just in warm moments that this is true, actually.
Even if it’s Lee Yoon-Sung wearing maroon in the shot, can you deny it?
It’s a color that looks well against the sky and steel blues of most of the rest of the show, yet has a very distinctly different vibe.
You may also note (in upcoming photos, and previous ones) nature colors of wood and greens are the others to temper the black and glass-clear tech of this show’s 2011. Sky blue is noticeable in lightening the mood, because it has more green and yellow notes in it than the powdery or clear colors elsewhere.
So hot it BURNS.
…of course I’m talking about that jacket, what else?
That’s how many screencaps I have of this show. Usually it’s more toward 30 total, but you know…
this was just a gorgeous show. The shots, the sets, the people. Any time the beats of the scene were going to be a little slow, they plopped it in a place with visual energy.
It’s really not surprising me at all that I took that many without really trying too hard. This is probably only a handful of episodes worth. The story is so absorbing I plumb forgot most times.
Just as Myung Wol the Spy (my new favorite flavor of crack) is working the rebellious energy of the Eric/Han Ye-Seul pairing, Nana and Yoo Sung are both eager-to-please, dedicated people with a taste for danger. It’s not just chemistry of their clear-lined looks. Their characters, and the actors behind it, have rapport.
I’m going to be so sad when this show is over. Since it’s never for a minute bored me, though, I’ll probably be rewatching it someday.
Anyway, fair warning: thematic posts on City Hunter to turn my mourning energies to productivity likely to fill the next week or so.